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The only place where the smartest and hottest sex bloggers are featured under one roof every month. Whether you’re looking for sex journalism, erotic writing, relationship advice or kinky discussions it’ll be here at Elust. Want to be included in Elust #60? Start with the rules, come back August 1st to submit something and subscribe to the RSS feed for updates!
Schoolgirl spanking stories are written almost exclusively from the female point of view. In a sense, the character who is most objectified, who does sexual things convenient to the plot but has no thoughts or inner life, is the sexy headmaster.
All of the doubts, desires, fears and joys are assigned to the schoolgirl. That’s just how schoolgirl spanking stories are written.
Me, I write mostly from a male Dom point of view. I use that perspective to try to tell the truth about the way domming works. That includes writing about some of the self-doubts, the fuck-ups and the bluffing involved. As well as how fantastic it feels when everything’s working.
We know, pretty closely, what both of those people are experiencing
That’s a conscious choice. It’s not just “write what you know”. I think most doms and subs actually have a pretty good idea about their partner’s pleasures and how they work. A submissive knows what’s going to make his or her dom turned on, just as a dom knows how to reach his or her submissive. And we know from our own sensations how the complementary desires of our partner feel. We know each other pretty well, we doms and subs.
I think the main reason I stay with a male focus is that I haven’t seen much writing about domming, or male dominance, that even tries to be truthful about what’s happening in the dom’s head.
There’s also more coyness about the naming of parts in the schoolgirl spanking story. For example, I generally use the word “cunt” to mean female genitals, but schoolgirl spanking stories don’t.
I use the word with respect and admiration. I think it’s the correct English word, the only neutral word that’s not derogatory, at least in its derivation, nor a Latinate affectation, nor a euphemism. Or it should be.
But I have to ignore the fact that a lot of people use the word as an insult.
I wish they bloody well wouldn’t, because of the misogyny underlying that. Even when it’s used ironically and the speaker would say the misogyny is a dead meaning, it’s still there. You only have to change the tone of voice very slightly for the meaning to change from an affectionate “just between us” friendly insult (“ah, ye silly old cunt”) to have it express hatred: “you cunt”, or “you fucking cunt”.
I feel okay about using the word to mean the female genitals because I never use it as an insult. I like the word’s plainness, the lack of coyness. It’s still the best word for conveying extreme sexual admiration and enthusiasm.
Though in practice it’s up to a woman how she refers to her own genitals. If she prefers “pussy”, then pussy it is.
If she’s submissive, I may make a project of teaching her to say cunt, and mean it proudly. But only if I’m certain that she trusts that I mean the word without any disapproval or hostility, and that I have nothing but adoration for every single aspect of her cunt. I’ve learned – by mildly fucking it up – that you have to tread pretty carefully. You can’t undo years of linguistic experience, most of it bad, with a wave of the domly hand.
Anyway, I’m a man who says “cunt” to mean female genitals, and never to mean “unpleasant person”. But in schoolgirl spanking stories, you don’t encounter the word very often. The strongest word you’re likely to see if “pussy”. If the schoolgirl experiences sexual stirrings, dampnesses and such, then they’re likely to happen “there”, or “down there”.
If she gets a cock, fingers or tongue in her cunt, the story will say he entered “her”. She takes “him” in “her”: pronouns standing in for genitals.
That’s the diction. The schoolgirl spanking story is set at “coy”. That doesn’t stop the stories being sexy. I wrote mine to be as hot as I could make it. But it strikes me as an odd way to talk about sex.
I’ve been posting episodes of a schoolgirl spanking story. I’ll explain why I wrote it later.
But if you’ve been reading it, or you go back and read it, and you read other stuff I’ve written, you’ll see that they’re in completely different styles.
The schoolgirl spanking story is a genre in its own right, with various stylistic tics. It’s like the way magazines and newspapers put out style guides for their writers: if you’re going to write a schoolgirl spanking story, you may as well follow the style.
You could, for example, try to write a schoolgirl spanking story set in the real world, in which case there’d have to be a lot of emphasis on how the teacher expects to get away with the breach of trust, even assuming he or she isn’t breaking age of consent laws. There’d also be the moment when the student realized that the teacher has gone so far out on a limb, legally and career-wise, that the power rests with the student. All they have to do is blow the whistle, and the teacher is gone. But a story like that wouldn’t be a sexy story. Issues of personal damage, power and betrayal would come to the fore.
So I’ve written a very traditional schoolgirl spanking story, full of things that could never happen in the real world. I’m a traditionalist about pleasures. Not politics so much, but pleasures for sure.
I’m not wearing any panties, you know. Oh, sorry, did you call me?
For example, your schoolgirl spanking story has a particular kind of diction. It’s slightly old-fashioned, and it’s more than slightly coy.
For example, schoolgirls always wear “panties” in schoolgirl stories, at least until they’re taken off. But in real life a lot of women dislike the word “panties”. They’d say it sounds like a word that a heavy breathing phone pervert might say.
There’s also the way the word is associated with little girls, and using it as a sexy word for something that adult women wear sounds somewhere between awkward and actually creepy.
Panties in Japan. It’s always bloody Japan with these things, isn’t it?
But then other women love the word panties. They have drawers full of frilly panties, backless panties, frontless panties, silk panties with ties, print panties, white cotton panties, and so on.
They could probably be happy spending a night just bouncing and saying the word over and over: “panties, panties, PANTIES, pan-TIES, panties,” etc.
(There’s a tune that goes with that.) I’ve always stopped them from spending a night that way, so I’ll never know for sure, but they seemed ready to go on indefinitely.
I use the word “knickers”, myself, if I’m talking to a woman and I think there’s a chance I’ll get to take them off if I don’t fuck it up. “Knickers” doesn’t trigger the “panties” ickiness. I think it’s a cool word, partly because it reminds me of “cami-knickers” and I think cami-knickers are stylish and sexy.
But in schoolgirl spanking stories, the female cast wears (or removes) panties, and that is that.That’s the word, and if you use a different one you’re not writing a schoolgirl spanking story.
There’s a lot more to be said about the language of schoolgirl spanking stories, but the next instalment will have to wait till tomorrow.
I was at Rossini’s “Barber of Seville” at Holland Park last week.
It’s not my favourite opera at all. It’s probably not even going to trouble my top 100 favourite operas. It’s partly because I hate Figaro’s “Largo et factotum” patter-song, which is one of the models for the scenes in Disney animation films where a major character comes on and immediately sings a song announcing who they are. Anyway, most baritones make a huge meal of it. It hasn’t got much musical interest, and I can’t see how anyone can find it funny, so there you are.
Anyway, this performance made the best case for “Barber” that can be made. It helps comic operas a lot if you have singing actors who look the part at least slightly, and who have a vague idea of what might be funny.
Anyway, for once I fancied the female lead, Rosina. She was sung by Kitty Whately, and she managed to turn the boring virgin of most productions into a girl who’s up for it and well worth chasing. She doesn’t want to be chased, or chaste; she wants to be caught.
In fact, she sings this:
“I’m gentle, and respectful. I’m obedient, I’m soft and loving.
The only place where the smartest and hottest sex bloggers are featured under one roof every month. Whether you’re looking for sex journalism, erotic writing, relationship advice or kinky discussions it’ll be here at Elust. Want to be included in Elust #59? Start with the rules, come back June 1st to submit something and subscribe to the RSS feed for updates!
All blogs that have a submission in this edition must re-post this digest from tip-to-toe on their blogs within 7 days. Re-posting the photo is optional and the use of the “read more…” tag is allowable after this point. Thank you, and enjoy!
All blogs that have a submission in this edition must re-post this digest from tip-to-toe on their blogs within 7 days. Re-posting the photo is optional and the use of the “read more…” tag is allowable after this point. Thank you, and enjoy!
Welcome to e[lust]– The only place where the smartest and hottest sex bloggers are featured under one roof every month. Whether you’re looking for sex journalism, erotic writing, relationship advice or kinky discussions it’ll be here at e[lust]. Want to be included in e[lust] #55? Start with the rules, come back February 1st to submit something and subscribe to the RSS feed for updates!
All blogs that have a submission in this edition must re-post this digest from tip-to-toe on their blogs within 7 days. Re-posting the photo is optional and the use of the “read more…” tag is allowable after this point. Thank you, and enjoy!
We have bound thee, we guide thee;
Down, down!
With the bright form beside thee;
Resist not the weakness,
Such strength is in meekness
That the Eternal, the Immortal,
Must unloose through life's portal
The snake-like Doom coiled underneath his throne
By that alone.
My honeygirl, she holds her sparrow to her breasts
And plays with it, all greedy, it’s her delight
she pets it with her little finger, gives it a tweak,
hoping it’ll give her a sharp bite.
When my glorious desiregirl is moved
to play with a little thing she loves,
I guess, when hard passion’s done and down,
It can give her relief and lift her frown.
I wish I could play with you like she does,
And ease her mind and all its woes.
That translation’s mine. But that’s just vanity on my part. There’s no shortage of Catullus translations.
Anyway, there are people who say a sparrow is just a sparrow. But the imagery of the sparrow poems is too sexual for that to seem likely. And when the sparrow dies, Catullus calls on Eros and the Amors, the little gods of love, to weep for it. If it was just a dead pet sparrow, Eros wouldn’t give a hoot about it, or a twang.
There are people who say it’s Catullus’s cock. I’d thought so when Svitlana took my cock and balls in her hand and cradled them like a pet. That happened in “One swallow doesn’t make a spring #20”, which you can find below. Svitlana’s gesture, playful and loving, though we were more or less strangers, reminded me of Catullus’s sparrow poems.
But I went through the process of translating them, expecting to find a poem in which a woman lovingly handles her man’s cock. I thought there’d be submissives who’d like the imagery, and the sense of being in a cock-cradling tradition over 2,000 years old. But as I went through the poems, I realised I was wrong.
Lesbia. Victorian painting. She keeps her sparrow in her lap. Peep! Peep!
The sparrow is Lesbia’s cunt. She plays with it when Catullus is worn out and has no more “hard passion”. She puts her little fingers in and it bites, or at least the lips close on her finger. And Catullus would like to play with it too, until he gets his passion back.
So what does it mean when her cunt “dies”, in the second sparrow poem? First, it’s possible that the death is the proverbial “little death”, and it’s a mock elegy on Lesbia’s orgasm. I can’t actually remember an example, in Latin literature, of the idea of orgasm as a kind of small death, or at least a shut-down of the body, but it’s certainly an old idea. If I can find an example from the right historical period, that would be useful.
Second, it’s a prefiguring of the death of Catullus’s and Lesbia’s love. Her cunt becomes, in a sense, “dead to him”.
One piece of support for the idea that Lesbia’s “sparrow” was her cunt is that Catullus uses the Latin word “passer”. This means any small bird, and not necessarily a sparrow. But “passer” also has a slang meaning, though we don’t know how old this slang meaning is. In Italian “passera” means both little bird and “vagina”. Did it mean that in ancient Rome too?
Here I’m just going to guess, and say that some slang terms, like the ones for genitals, don’t change much, or at all, over time. So “passer” probably did make Catullus’s readers think of cunt. And sparrows too, of course.
Anyway, Lesbia’s sparrow was well worth her time, and Catullus’s.