From the Gates of Ivory: The Dixie Chicks

So I was drivin this huge red Chevrolet convertible car thing, size of a tennis court, and I pulled up at the intercom at the Phully Phat Phizzeria. (Yeah, “Phizzeria”. The ‘h’  is silent. Go figure.)

The like intercom chick has this way breathy voice, and she was like, “We’re here to give you whatever you want”, and I’m all, “So can I have the crépinettes de volaille au périgueux, with, like, french fries, and hey, some Moët for now and we’ll see about something sensible to drink later.”

And this chick was like, “Et Chandon! That’s so cool,honey! We’ll be right out.”

bigger dixAnd, HOT DAMN! In about 0 seconds these three blonde chicks come zipping out on roller skates, each one holding up a tray, except for the plump one with the ice bucket and champagne, and they’re like fully naked, and they skate pink girlie circles round my car, and while I’m scoping them and thinking, like Fine muscles, and most bodacious breastworks you have, ma’ams, they’re singing this totally hot song that goes, “I’m gonna take you in my tunnel of lurve and rock you all night,/And when we said George Bush was a moron, were we right or were we right?”, and I realise, like hey, these are totally the Dixie Chicks.

And I’m all, “Hey, chicks, I appreciate that I’m a hot guy and that, on a good hair day with backlighting and stuff, but are you sure it’s me you want to entertain in your furry-thatched little love tunnels?”

And like Martie, the sensible one, goes, “Well, this is your order for chicken and chips and fizzy, or isn’t it?”

And I was all like, “Yeah, that was totally me, and I’m fully not complaining, I’m just saying all this seems unlikely.”

And she’s like, “Well, meh.” 

So I’m still all, “You sure you got the right guy, here?”

And then Natalie, with the champagne, says, “Look, Jaime do you usually own a big red Chevvy?”

And I’m like, “Hey, Natalie, my car is like totally a Honda Civic. I can’t explain the Chev. Whatsoever.”

She says, “Well, think about it. Or not.” And then Natalie’s all pouring herself into the car and pouring champagne over her breasts, and jamming my face where the foam rivulets, and then the other girls get in, cause it’s a front seat like as wide as that greengrocer with his finger on the scales in the Walthamstow market, and it’s gleaming streaming titties and pussies and close harmony singing of politically progressive songs everywhere, like, dudes and ‘ettes.

Warpaint are cool.

Warpaint are cool.

And I’m thinking about whether Natalie likes doggy style, or whether I should take her even doggier, up The Road Less Travelled, and if I could make a Natalie/Nates joke, and I hear rumbling, and I look out, and those are Warpaint, all naked except for the dab of shaving foam that Wendy O Williams used to wear, but they’re sharing it, and they’re pushing this ginormous pool table with, you know, huge pink pillows on it.

And I’m like –

To be continued. (Probably.)

The gates of horn: the danger of threesomes with cousins

(A fragment of something I’m working on today.) 

 

Jaime had told Sa’afia to hold Ana’s arms while Ana knelt, her back arched, on his bed. She watched with blank curiosity while he swung his belt across Ana’s ass, letting the leather bite and kiss at her bottom and the tops of her thighs.

mff analBut when Jaime put the belt down and positioned his cock against Ana’s oiled little asshole, Sa’afia leaned forward so he could kiss her. Jaime put his right hand on Sa’afia’s waist, gripping her flesh hard while he pressed his cock against Ana’s untried, unentered entrance.

Ana’s skin burned to his touch, hot from his belt, as he closed contact with her, though the sheets in which he slept were cool.

When he leaned forward to meet Sa’afia’s embrace and kiss her, her breasts were also cool. She drew him into a tight hug while he pushed forward into Ana. Ana opened suddenly, and she gasped and begged him to pause. He did, but didn’t withdraw from her, and savoured the sensation of his cock held tightly, her little muscle clasping the head of his cock. Her lasshole.

But his dreaming imagination couldn’t keep up that level of detail. Jaime drifted forward into a generic female world, a sequence of visual and tactile moments, of Ana’s softnesses and Sa’afia’s. When it all became too improbable, and too much mental work to sustain, he woke up.

Jaime sprawled as if he’d fallen, back in his bed, with light coming in the windows, back in a world in which he couldn’t have sex with Ana, and he shouldn’t have a threesome with two cousins. He guessed the two of them would find it quite awkward, in reality. Well, maybe Ana wouldn’t mind. But Sa’afia would.

But he didn’t worry about those considerations until, eyes closed to keep the images he’d dreamed, and with spit and his cock in his hand, he came. Decorously, into tissues.

At the time he thought it was an unusually pleasurable dream, because of the intensity of the sensations that he imagined he felt as he dreamed. It didn’t occur to him that part of his mind might have been warning him. Our earliest source for the idea that some dreams bring truth and often warning, and that those dreams come through the Gates of Horn is Homer’s Odyssey, where Penelope dreamt of her husband’s retjurn after so many years.

She thought it was a false dream, that had come to her through the Gates of Ivory.

But that dream came from the Gates of Horn, and it was true. Her husband was coming home and the floor of their home, and then her white thighs, would flow with blood. Like Penelope’s, Jaime’s dream had been a horny dream, and so he should have been wary. But although he knew these things, he didn’t remember them. 

Toothpaste on the clitoris: a follow-up

Back on April 4, 2013, I said I was going to apply toothpaste to the clitoris of a wriggly submissive women next week, and report back on the results. Well, I keep my promises. It’s just that sometimes (sometimes!) it takes me 17 months. 

So, the woman was called Lisa (which means she wasn’t called Lisa, but she will be here), and she’d been promised toothpaste. Not as a punishment, just as an experience. She was curious and excited, but also nervous, which was good. She undressed and stood with her hands behind her back and her feet apart while I explained the ground rules.

The safe word was “toothbrush,” if she really couldn’t stand it or she thought she was coming to harm.

"Keep still, girl."

“Keep still, girl.”

Otherwise she had to stand still, with her legs apart, and her hands resting on the back of a wooden chair for support. If she started wriggling, waggling or thrusting, I’d enjoy watching her, but I’d also punish her for it with the leather paddle.

She’d be paddled in the bent over and touching her toes position, with her feet apart, so that she couldn’t press herself against anything that might be comforting. There’d be a minimum of six strokes, but the paddling would only stop if she managed to keep completely still. 

I didn’t tell her that I was going to paddle her regardless, because I expected that she’d enjoy the two heats, one from her clitoris and one from her bottom, and the way they met and merged. But she knew that.

They seemed like good rules, and Lisa didn’t even bother to complain I was being unfair. So she lay back on the bed with her knees up and apart, and her feet on the edge of the bed.

I licked her until she starting breathing in the way that meant she was thinking about coming. I stopped abruptly when she caught her breath and tightened her stomach muscles. The point of no return was getting close.

"Open wide..." Actually, fingers are better than brushes, for getting toothpaste onto slippery surfaces.

“Open wide…” Actually, fingers are better than brushes, for getting toothpaste onto slippery surfaces.

I coated toothpaste all round the sides of her clit, dabbed a dollop on the tip, and then pressed it down and spread it.

The toothpaste was a slightly green colour, so it looked like she was wearing a little turquoise jewel on her cunt.

She got off the bed, and took up her position, standing straight, with her feet well apart and her hands on the back of the chair. The toothpaste had been on her clit for about five  minutes, and it was, apparently, pleasantly warm.

At eight minutes she made a little, worried sound, and there was a muscle all a-tremble on her left inner thigh.

I wasn’t going to punish her for that. I waited.

Note:

The next episode is here

Chloe’s game: the 21st and final instalment

"Women's Prison II: Night of the Warden": a searing indictment of today's prison conditions and recidivism rates.

“Women’s Prison II: Night of the Warden”: a searing indictment of today’s prison conditions and recidivism rates.

That became our new life. On some weekends we played Naughty schoolgirl and strict teacher. There were other games, of which Women’s Prison II: Night of the Warden was best. (There was no Women’s Prison I.) 

The thing with role-playing was to keep the format stupid, so there could be nothing of interest in the game itself. We didn’t want to develop a storyline or care about characters. The games freed us to explore darker bdsm territory while maintaining normal life the rest of the time.

Serious play was for the weekends. On weeknights Chloe got spanked or I’d take my belt to her as  for the sensuality of it, before and during sex.

Chloe encouraged me to experiment. I became better at keeping our sexual plays moving, and at seeming to control what happened while making sure that Chloe’s pleasures and preferences were well indulged.

I learned to give commands with apparent conviction, and – within these games – without embarrassment or political guilt. I learned to pause impressively, rather than dithering, when I couldn’t think of what to say or do next. It was acting from the William Shatner school but – like Shatner’s acting – it worked well enough.

Libertines at the altar. (Illustration from "Therese Philosophe", 1748.)

Libertines at the altar. (Illustration from “Therese Philosophe”, 1748.)

I sometimes tried earnest conversation with Chloe about how our play could be defended politically, but she thought that my worries about it were my problem. She was merciless when she encountered sexist men, but she had no interest in ideology or activism. Chloe loathed authoritarianism, irrationalism, hypocrisy, stupidity and wilful ignorance, which meant she was not ideally placed to take much interest in political campaigns, except where they touched on science and got in its way.

I suspect that she mildly enjoyed the idea that her choice of pleasure might annoy the more puritanical kind of feminist, in something of the spirit in which eighteenth century libertines might sneak into a local church and have sex on the altar. In any case she played and helped plan our games with the kind of glee that suggested she was subverting something.

It’s not a game I’ve played for years. I don’t do any role playing any more. But it was worth doing at the time. There’s a hell of lot to be learned from it. 

Chloe’s game 20

“You never really wore your skirt like that, did you? 

“God no. We were so respectable. I wouldn’t have got past the gates like that.”

“So when did you … ?”

Voguequeen sewing pattern.

Voguequeen sewing pattern.

“Take up the hem? I had my old sewing gear in my bedroom. Since they weren’t letting me do anything else with my evenings.”

“Oh.” So she had been defying her parents while we’d stayed with them. In two widely separated bedrooms and near-constant supervision. So there had been a kind of solidarity. I wished she’d told me.

“And then there was the Dubbin. I felt very filthy using that.”

“Dubbin?” I remembered the tin of lubricant.

I’d been looking forward to buggering her with that. “I, uh, suppose you would feel filthy.”

“Rubbing it into that belt. It’s stuff for leather care. You rub it into the leather to make it flexible. For when you use it on me. You do know what Dubbin is, don’t you?”

“Course I do,” I said, irritated.

We took the wine back to bed. Another thing I decided was that this sort of game, which was at once more playful and more serious than any of my previous experiences, was exhausting. I had a half-hard penis, and I had an idea that I should rub cold cream into Chloe’s skin, but I fell asleep without doing anything about either.

The next morning Chloe woke up softly affectionate, though not in a sexual mood. I was relieved to be cuddled, since I was always aware that regardless of what consents had been given and what the events had meant at the time, I’d set out to hurt her. I’d certainly succeeded. So it was a relief still to be loved.

Chloe’s game 19

The word for serving sushi on the body of a naked woman is called "nyotaimori". Oddly enough, it's a Japanese word...

The word for serving sushi on the body of a naked woman is “nyotaimori”. Oddly enough, it’s a Japanese word…

I fell asleep too, waking when Chloe rose at midnight to have a shower. She was a pale girl, who glowed in moonlight like a ghost. But her arse and upper thighs were dark and almost invisible.

I put together sushi and cucumber from her fridge, and poured wine, demonstrating my committed opposition to patriarchal oppression, et cetera, which I tended to do after delivering any sort of thrashing.

(That was then. My level of service to submissives has deteriorated, I’m afraid.) 

Chloe’s buttocks and thighs, when she returned from the shower, were much cooler and, disappointingly, already much paler. But she still chose to lie facedown on her couch while I hand fed her sushi and held her glass to her lips.

I told her how much I’d loved her game, saying to her some of the things I’ve written above. In return Chloe told me that the strap had hurt, certainly, but except for a couple of the lashes – like so many people with our desires, she liked the feel of words – where I’d misjudged my aim or the force of the swing, it had been a satisfying hurt.

She liked its leathery weight, the way it impacted and kept a warm buzzing in her skin until the next lash. Somewhere around the twentieth stroke she’d stopped caring about individual impacts. Her whipping became a continuous experience that included but did not focus on the strap landing across her bottom; it flowed, building up heat, intensity and the deep, sexual sort of pain.

And she’d liked being commanded. She’d determined in advance that she would do whatever I said, so that in the moment she could feel, helplessly, that she had to obey. She wanted us to do more of that. Just in play, of course, she said: try it outside this room, and I’ll kick your balls in …  

I let that pass.

Chloe’s game 18

Naughty schoolgirl and strict teacher is one of the tackiest scenarios in all pornography. It’s silly, clichéd, and politically suspect. But it had just introduced me to pleasures that I intended to explore and repeat.

I’d liked Chloe’s obedience, playful though it had been. I’d liked giving orders. Chloe’s show of respectful surrender, sir, and the way I’d asserted myself in response: that was exciting.

danaeI hadn’t used a real instrument before. I hadn’t made a woman raise her voice in pain before. Both had overjoyed me. I wasn’t quite comfortable with the fact that Chloe’s cries of pain had turned me on, but I couldn’t deny it.

There was a hairbrush and a ruler in that drawer, and I knew that I’d use both on Chloe, hard, before this weekend was over. I wanted to hear her song of pain again and again, and to hurt and fuck and comfort the girl who sang it.

The game might be silly, but it took me to darker and more truthful places than I’d ever been before.

Till then I’d always tried to maintain and emphasise equality between my partners and me, even during bdsm sex. I’d get permission before I hurt her or tied her, not only before any session, but before proceeding with any action during a session. Consent had to be continuously asserted.

But Chloe had simply given me her submission and put me in control. Submission turned out to be more exciting than permission.

I wanted more of it. Within that game I could have it, and Chloe could have her pleasures, while – outside the game – we maintained the equality that we both believed in.

Chloe’s game 17

At a signal from Chloe – she said, “Are you going to fuck me”, with slight impatience, rather than, “Please fuck me, sir”, which told me that the game was over and we were back in propriae personae – I helped her up, embraced and praised her, and helped get that uniform off, undoing buttons and tugging with clumsy impatience, then shed my own clothes and pulled her to bed.

ridinChloe wouldn’t let her strapped skin touch the sheet, let alone lie on her back. I wanted to fuck her from behind, sinking my cock between her glowing buttocks, but she ruled that out too. She wanted nothing harder than air to touch her bottom. So I lay on my back and let her straddle me.

She leaned down to kiss me and didn’t break the kiss while she lowered herself onto my cock, filling herself.

Then she sat up to ride, her nipples drawing pink spirals in the air as she bounced above me.

One last surge of cruelty took me as she was close to coming, and I reached back and smacked her burning skin while she grunted and galloped; and for the first time in months she made her crying and hiccoughing noise, as she came and fell forward onto me.

But this time there was laughter in the mix.

Chloe rested on me and I held her until she snored gently, her nose healthily cold against my neck. I lay awake and considered my new experiences. 

Chloe’s game 16

We developed a rhythm, Chloe and I, the swing and thwap of the strap, her cry and the new stripe, or, once the strap had already reached most of her skin, the deepening of an existing pink-red area, her frantic dance, and, when she raised her hips again, the swing of the strap. I think the strokes were about twenty to thirty seconds apart.But we were dancing, not thinking, or counting time.

strapyThis was very different from the spankings I’d given her. I missed the tactile pleasure of my hand on her heated skin, but there were compensations. Her posture was so blatantly submissive, and because the strap required me to stand a little further back, I had distance and time to study her.

I stopped the strapping twice, at intervals of about ten minutes, to stroke her cunt. The first time I was still reassuring myself that she loved this. That first time I used my fingers, because it was important to know she was wet.

The second time, I pleasured her cunt with the strap itself. I didn’t need to know she was happy; of course she was. And I thought she’d like the symbolism of being pleasured with the leather that I was using to hurting her. We breathed together while she devoted herself, all of her awareness, to the slow rubbing of girlskin against that old belt. 

When she was nearly ready to come, I stepped back and resumed the strapping.

Neither of us knew how many strokes I gave her. By the latter stages Chloe’s skin glowed dark pink from the upper slopes of her buttocks to about two inches down her thighs, with strips of brighter red where the leather had landed on earlier stripes, and only isolated glimpses of white skin.

Chloe danced and bucked without pausing, and I’d stopped waiting for her to keep still and present herself. I just waited till her hips were at the lowest point in her dance and swung the leather to impact on her bottom as it rose.

I couldn’t aim with any great accuracy, but at least I could judge the timing. The strapping lasted about half an hour. Chloe glowed, not only with sweat.  

Chloe’s game 15

Chloe turned her head away when my arm moved, fixing her gaze on the chair seat. The strap landed with an astonishingly loud crack, wrapping itself round the lower slopes of Chloe’s buttocks.

The effect was dramatic. Chloe’s head shot up, and she sang out “heee-uuu”. On one hearing, that soprano cry became one of my sexual tastes. I wanted to hear it again.

strapped sg 1I also liked the shockwave in Chloe’s flesh, as the heavy strap impacted, though because she was fit it lasted only a second. I watched the miracle of her skin changing colour, a brilliant pink stripe emerging, blooming like a stop-motion flower, about three inches across, with sharply defined edges.

It bobbed and weaved, that stripe, as Chloe’s hips bucked in the seconds after that impact, throwing off the pain like a horse trying to throw a rider.

I waited until she’d settled and arched her bottom up again. I aimed to leave the next stripe just above the first, neither overlapping nor leaving a gap. That was misplaced confidence; no-one should expect to land a strap accurately without practice. The strap landed high, leaving a sloping welt across the top of Chloe’s left buttock and wrapping painfully high across her right hip. Chloe’s cry was higher in pitch and volume. It was the wrong sort of pain.

But I swallowed the apology I wanted to speak, because it would break the mood and make things worse. I said, in the harshest, angriest voice I could manage, “Get that bottom up, girl. You’re getting strapped. And keep still!”

That was kinder.

For the third stroke, and all those subsequent, I aimed for the fleshiest part of her buttocks, reasoning that since my aim was lousy I’d achieve a reasonable spread of strokes just by accident, and that at least the strokes would land somewhere well padded.